”TokyoEverydayGirls”<TEG> is a series of portrait based on the artist’s encounters with various women in Various areas of Tokyo and his impressions of them.　This work depicts a woman seen in Ebisu Shibuya Ward Japan. ★———————————— artist. : KMURAYASHI REO (japan) framesize. : W477×H628mm media. : digitalprintwork ED. : ~33 frame material. : Wood(3 color available) clublogo(TokyoRimpaClub) on the work is removable as you want *signature will be put. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work.

About the CB Series： The CB (Color Box) series reconstructs the artist's intuitive impressions of space, objects, and time through subtle color planes and geometric composition. Artist's Note： While wandering through a residential area away from the city center, I occasionally come across houses that catch my eye—buildings composed entirely of sharp, straight lines without a single curve. This piece captures the impression of one such house. Standing beneath a cloudy sky, it blended calmly with the surrounding neighborhood yet possessed a unique, exotic aura without feeling out of place. I translated the distinct atmosphere of that moment into these rich color planes. 2026.6.18 NAO From TOKYO RIMPA： This striking artwork features sharp geometric forms and a layered block composition, rendered in a sophisticated palette of calm gray tones. The subdued light of an overcast day and the refined quiet of the city lend a sophisticated depth and modern presence to any room. ★———————————— artist. : NAO (japan) framesize. : 628mm×477mm or 531mm×416mm media. : digital print artwork ED. : ~33 frame material. : Wood(3 color available) we will ask you witch one you need. For artworks using fluorescent colors, it may be difficult to accurately reproduce the colors in reference images. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work.

The other day, I casually dropped by a cat cafe. While many cats were playing around, there was one cat sitting completely still in the warm sunshine. The moment I saw that cat, it hit me: "Ah, time is moving differently for this one." It looked as if it was wearing all the warm air of that place, just like a cute outfit. Seeing that was so lovely, I immediately opened my sketchbook right there at my seat. I put that exact gentle emotion into this painting. I hope that when you look at this piece, that same warmth will spread throughout your room. 2026.7.7 PONPOPO ★————————————— artist. : PONPOPO framesize. : 531mm × 416mm or 401mm x 310mm media. : digitalprintwork ED. : ~55 frame material. : Wood(3 color available) clublogo(TokyoRimpaClub) on the work is removable as you want *signature will be put. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work.

I walked along the river in Edogawa Ward, where buildings and apartment complexes of some height stand, and recorded the landscape. Unlike the city center, the sky is not completely obscured; the contrast between this moderately open sky and the inorganic structures prompted me to attempt a reconfiguration of the scene. Eliminating realistic details, I extracted only the surfaces of color and the strong shadows that existed there at that moment. 2026.7.20 Artemisia ★———————————— artist.  :   Artemisia framesize.  :  W466×H567mm media.  :  digitalprintwork ED.  :    ~33 frame material.  :   Wood(3 color available) clublogo(TokyoRimpaClub) on the work is removable as you want *signature will be put. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work.

I initially intended to capture the vibrant, energetic bloom of a sunflower placed in a pitcher, in a sunlit room on a relaxing day off. Yet, strangely enough, with every stroke of the brush, its expression seemed to settle into a deeper calm. By the time it was finished, the vivid brilliance I had first envisioned had faded into something far more serene and quiet. What I react to as an individual and what I seek as an artist are not always the same. In the end, perhaps this is what a sunflower truly means to me right now. When I paint this flower again next year, I hope to find it wearing a slightly brighter expression. 2026.6.15 Kana Akila ○From TOKYO RIMPA This art piece features a striking contrast between the vibrant yellow sunflower and the modern, nuanced gray background. While it boasts catchy, pop-art-like colors, the single flower placed in a glass pitcher exudes a sense of dignified calm and elegance. Combining the beauty of empty space inspired by traditional "Rimpa" aesthetics with a stylish modern touch, the piece offers a truly refined finish. ★———————————— artist. : Kana Akila (japan) framesize. : W477×H628mm media. : digital print artwork ED. : ~33 frame material. : Wood(3 color available) For artworks using fluorescent colors, it may be difficult to accurately reproduce the colors in reference images. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work. Mat board (if shown) may not be included.

Walking through office districts or quiet back alleys on holidays, the usual hustle and bustle vanishes like a lie, and I sometimes stumble upon places where the city feels as if it has become a hollow blank space. While walking through this quiet side of Tokyo, a certain view suddenly catches my eye—one from which I mysteriously cannot look away. It might be a distant building window or the deep end of a narrow alley, where the details inside remain hidden. Yet, the very moment our eyes meet, I feel a sensation as if some important message is being quietly conveyed to me. In the end, I never drop by those places; I simply pass them by, drifting along with the flow of the crowd. A fragment of the city and my heart overlap for a fleeting second, only to part ways again. For me, the true intrigue of Tokyo lies in the accumulation of these faint, transient encounters. April 20, 2026 — HIBIKI ★TOKYO RIMPA Commentary: This woodblock-style artwork beautifully captures a twilight cityscape alongside a figure with an envious, melancholic expression. Characterized by a bold composition divided vertically and an exquisite color palette centered on pinks and purples, it evokes a sense of urban solitude and a modern, city-pop atmosphere. The "TOKYO RIMPA" typography placed in the negative space serves as a sophisticated accent, channeling contemporary culture. It is a perfect piece to function as a modern, eye-catching display, adding a touch of stylish flair to your living room, entrance, or store interior. ★———————————— artist. : HIBIKI (japan) framesize. : W477×H628mm media. : digital print artwork ED. : ~55 frame material. : Wood(3 color available) For artworks using fluorescent colors, it may be difficult to accurately reproduce the colors in reference images. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work. Mat board (if shown) may not be included.

<About the CR Series> The CR Series is a collection of works created using only color fields, intentionally removing any recognizable motifs or shapes. By focusing purely on the arrangement of colors, each piece invites viewers to interpret the composition through their own emotions and experiences. Rather than imposing a specific image or theme, these works are meant to quietly accompany the atmosphere of a space, allowing their presence to blend naturally with the owner’s lifestyle and environment. Artist's Comment : As the cold subsides and I begin to feel the warmth of spring, memories of the summer beyond often come vividly to mind. Perhaps it is because I hold so many cherished memories of that season within me. The breeze that blew then, the clear skies, and the sunlight illuminating everything—they always remind me of a pleasant sense of exhilaration. Though we are only in the middle of spring, the spring breeze flowing by today has, strangely enough, brought me an image of the summer yet to come. A Message from TOKYO RIMPA: This abstract piece, featuring vibrant colors overlapping in a grid-like composition, modernly reconstructs the radiance of fragmentary memories. The soft texture unique to premium printmaking paper adds depth to the layered colors, providing a warmth that cannot be found in digital media. 寒さが和らぎ、春の暖かさを感じ始めると、私の心にはその先にある夏の記憶が鮮やかに浮かんできます。それは、私の中に大切な夏の思い出がたくさん詰まっているからかもしれません。あの季節に吹いた風、澄み渡る晴天、そしてすべてを照らす陽光。それらはいつも、私に心地よい高揚感を思い出させてくれます。今はまだ春の半ばですが、今日流れてきた春風が、不思議と遠い夏のイメージを運んできてくれました。 2026.4.25 N A O TOKYO RIMPA からのコメント： 鮮やかな色彩がグリッド状に重なり合うこの作品は、断片的な記憶の輝きをモダンに再構築した抽象画です。高級版画用紙ならではの柔らかな質感が色の重なりに深みを与え、デジタルにはない温もりを感じさせます。 ★———————————— artist. : NAO (japan) framesize. : W477×H628mm media. : digital print artwork ED. : ~33 frame material. : Wood(3 color available) For artworks using fluorescent colors, it may be difficult to accurately reproduce the colors in reference images. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work. Mat board (if shown) may not be included.

Most of my sketches and compositional studies come from places I encounter while walking through the city—locations I come across and then pass by. It is the impression of those brief encounters that gives me the energy to create. At the same time, there are a few places I return to again and again. This work is based on a view from a gently sloped, well-kept grassy embankment, looking across to buildings on the opposite side. It is a place where the wind moves freely; although the area is paved, few people come here. Because of that, I often spend time there, quietly making sketches and studies at a slow pace. This piece is based on one of those drawings. While faint sounds of the city echo in the distance, I can simply face the act of drawing without thinking—making it one of those rare and valuable places for me. mar 22th 2025 ⚫︎The size of the artwork shown in the interior images may not be accurate.

I depicted a person I saw at an intersection in Shinjuku near the end of the year. This work is produced using silkscreen printing with specialized inks. The colors are highly vivid and striking. Although not large in size, its strong color presence allows it to stand out even on a wide wall. ———————————————————————— artist. : Kana Akila (Japan) framesize. : 250mm x 250mm. media. : silkscreen print ED. : ~100. *editor`s edition not included frame material. : metal The color of the actual product may differ slightly from the image shown.

This is a cat that greeted me first when I visited a friend’s home. At first, it watched me intently from behind the wall, almost as if it were on guard, which gave me a slightly mysterious impression. But we quickly became friendly, and by the time I was leaving, it was sleeping right beside me. Feb.13.2026 Pompopo ★———————————— artist.  :   Ponpopo (japan) framesize.  :  W466×H567mm media.  :  digitalprintwork ED.  :    ~55 frame material.  :   Wood(3 color available) clublogo(TokyoRimpaClub) on the work is removable as you want *signature will be put. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work.

I often find myself thinking that the buildings before my eyes—places where people live, come and go, and light their rooms at night—will one day grow old and eventually stand empty. When I encountered the scene in this work, I was reminded of that quiet vision. Beneath the familiar, expansive sky, even the largest structures inevitably change with time and fade away. Yet this does not feel melancholic to me. Rather, as I gaze upon this slow, transient moment, I feel a gentle urge to preserve this sensation within the work. ———————————————————————— artist. : Kana Akila (Japan) framesize. : 567 x 749mm. media. : digitalprintwork. ED. : ~55. *editor`s edition not included frame material. : wood clublogo on the work is removable as you want signature will be put. clubmark embossing will be stamped in the lower right corner of the work.The color of the actual product may differ slightly from the image shown.

”TokyoEverydayGirls”<TEG> is a series of portrait based on the artist’s encounters with various women in Various areas of Tokyo and his impressions of them.　This work depicts a woman seen in KACHIDOKI, Chuo Ward Japan. ★———————————— artist. : KMURAYASHI REO (japan) framesize. : W477×H628mm media. : digitalprintwork ED. : ~33 frame material. : Wood(3 color available) clublogo(TokyoRimpaClub) on the work is removable as you want *signature will be put. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work.

★———————————— artist. : N A O (japan) framesize. : W477×H628mm media. : digitalprintwork ED. : ~33 frame material. : Wood(3 color available) clublogo(TokyoRimpaClub) on the work is removable as you want *signature will be put. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work.

This work captures people crossing a wide Tokyo crosswalk from an overhead perspective, seeing them as rhythm and movement. Though each figure remains anonymous, they intersect while carrying different purposes and moments in time, expressing the pulse of the city. “zebra” is a snapshot of Tokyo where order and chance exist simultaneously. Jan 18th 2026 MURASA King —-—————————————————————- This artwork is available in alternative sizes. Please feel free to contact us for details and availability.* * This work can be resized, but we recommend producing it in the largest size available for proper presentation. If you wish to request a resized version of the artwork, please contact us with your details via the inquiry form before making a purchase. artist. : MURASA King(Japan) framesize. : 567 x 794mm. media. : media. : digitalprintwork on premium printmaking paper ED. : ~33. *editor`s edition not included frame material. : wood clublogo on the work is removable as you want signature will be put. clubmark embossing will be stamped in the lower right corner of the work.The color of the actual product may differ slightly from the image shown. The size of the artwork shown in the interior images may not be accurate.

In the freezing cold, with the air sharp enough to sting, the streetlights and the glow from windows seem to shine in a strangely special way. The sky over Tokyo is not very clear, and there are only a few stars. Instead, the lights on the ground gather and quietly illuminate one another, careful not to interfere too much. There is something like watching each other from a distance, and I find that atmosphere—created by artificial structures—somehow intriguing. As I sketched, I followed that mood, relying on the faint voices of buildings and streetlights as they appeared in my mind and then slowly faded away. ★———————————— artist. : Kana Akila (japan) framesize. : W477×H628mm media. : digitalprintwork ED. : ~55 frame material. : Wood(3 color available) clublogo(TokyoRimpaClub) on the work is removable as you want *signature will be put. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work

I painted a cat that my family used to have when I was little. She was a female cat, and she was very gentle and kind. When she slept, she always lay on her back, showing her white belly with a little bit of light brown fur mixed in. Whenever I saw her sleeping like that, I would run over and gently rub her tummy—I still remember that really well. Sometimes I would quietly sketch her while she was asleep. She’s no longer with us now, but whenever I look at those sketches, I can still picture her sleeping with that soft, peaceful expression on her face. Nov 11th 2025 PONPOPO —-—————————————————————- This artwork is available in alternative sizes. Please feel free to contact us for details and availability. artist. : PONPOPO (Japan) framesize. : 567 x 794mm. media. : digitalprintwork. ED. : ~33. *editor`s edition not included frame material. : wood clublogo on the work is removable as you want signature will be put. clubmark embossing will be stamped in the lower right corner of the work.The color of the actual product may differ slightly from the image shown. The size of the artwork shown in the interior images may not be accurate.

There’s something kind of dozy about the buildings in this area that always feels very Shinjuku to me. You can barely see the sky, and the buildings are all packed together, facing different directions, creating these weird gaps and shapes between them. The neon signs are always bright, but right next to that glow there’s this constant Shinjuku-style dimness. It’s not a particularly clean place, and it’s definitely not calm. Sometimes I honestly wonder why so many young people are drawn here and keep passing through it. But before I know it, the image of Shinjuku is already stuck in my head, popping up every now and then. I guess Shinjuku just has its own kind of pull. Oct 21th 2025 KURAYASHI REO ———————————————————————— artist. : KURAYASHI REO (Japan) framesize. : 567 x 794mm. media. : digitalprintwork. ED. : ~33. *editor`s edition not included frame material. : wood clublogo on the work is removable as you want signature will be put. clubmark embossing will be stamped in the lower right corner of the work.The color of the actual product may differ slightly from the image shown. The size of the artwork shown in the interior images may not be accurate.

I often display tulips as a single flower in a vase. Compared to arranging them in a bouquet, a single tulip allows their soft, rounded charm to stand out more clearly, which is why I find this style especially appealing. Placing just one flower also seems to bring a quiet sense of calm to the surrounding space. As I sit in a still room, observing the flower while painting, I become aware of how this single bloom gently softens the entire atmosphere. Each time I paint it, the vivid freshness of the stem and petals offers me new discoveries, reminding me of the quiet strength and presence held within a single flower. 2025 Nov 21th The size of the artwork shown in the interior images may not be accurate.

The work in the series ‘Colour Stripe’ is based on the theme of accumulated intuition. The artist makes full use of the colour sense she has cultivated over the years to express her feelings in the form of paintings rather than words, like a diary. . The series gives the viewer a feeling that cannot be expressed in words and develops a rich sensory experience.The work will be developed as an NFT work ★———————————— artist. : NAO (japan) framesize. : W500×H585mm media. : digitalprintwork on premium printmaking paper ED. : ~11 frame material. : metal clublogo(TokyoRimpaClub) on the work is removable as you want *signature will be put. The color of the actual product may differ slightly from the image shown.

I’m painting people I see at the coworking space. Since our seats are far apart, I rely on their atmosphere and impression, adding a touch of my own ideal image to create the work. ★———————————— artist. : MURASA King (japan) framesize. : W500×H585mm media. : digitalprintwork on premium printmaking paper ED. : ~33* *5 metal frame edition included frame material. : Metal (5) or wood(28) clublogo(TokyoRimpaClub) on the work is removable as you want *signature will be put. The color of the actual product may differ slightly from the image shown.

私の住んでいる街は、夜になっても眠りません。低いところも、高いところも電気の光が並んでいます。ちょっとコンビニに行く時も、この落ち着きのない感じが大好きなのでついつい散歩をしています。 ★———————————— artist. : Hibiki (japan) framesize. : W466×H567mm media. : digitalprintwork ED. : ~33 frame material. : Wood(3 color available) clublogo(TokyoRimpaClub) on the work is removable as you want *signature will be put. The color of the actual product may differ slightly from the image shown. An embossed stamp of the club mark will be stamped on the lower right corner of the surface of the work.

東京の道を聞いて、もちろんアスファルトの道もそうですが、私が思い浮かべるものの1つに皮を渡る橋の道があります。東京は広い川、運河にかかる橋が至る所にあります。そしてそのそれぞれの橋から見渡す景色は、私にとってとても東京らしいものです。長くうねったタイル模様の道を下に、左右には聳えなながら沈黙のうちに空を切り取る構想建築。そしてそこからわずかに顔を出す雲。無機質と有機的の混ざるとも混ざらないともいえるその感覚に心を動かされました。 カナ　アキラ ———————————————————————— artist. : Kana Akila (Japan) framesize. : 466 x 567mm. media. : digitalprintwork. ED. : ~33. *editor`s edition not included frame material. : wood clublogo on the work is removable as you want signature will be put. clubmark embossing will be stamped in the lower right corner of the work.The color of the actual product may differ slightly from the image shown.

When I went to Shinjuku with a friend, we looked out over the city from the rooftop of a certain building. While my friend didn’t seem particularly interested in the view, standing behind her indifferent expression, I felt something different. In the humid evening air, the scene of clustered multi-tenant buildings felt oddly nostalgic—yet also very present. It was a strange mix of emotions, and I painted exactly that impression. 2025 mar 25th Hibiki

At the end of winter, on a night when the chill still lingered, I took a river cruise on a yakatabune with a group of friends along the Sumida River. The boat stopped briefly so the passengers could view fireworks being launched in the distance, and most of them gathered on that side. But I found myself drawn to the opposite view—quiet city lights stretching out beyond the river—and began sketching in that direction. From the stillness of the boat, the Tokyo skyline looked different than usual, the glow of the streetlights shimmering on the water’s surface. Just then, a breeze brushed past me, carrying with it the faint warmth of spring, and somewhere deep inside, I felt that winter was beginning to slip away. “Not interested in the fireworks?” the boatman asked, and I hesitated to answer. But in truth, it was that quiet light and peaceful scenery that lingered most in my memory. This piece was created from that fleeting moment. ———————————————————————— artist. : Kana Akila (Japan) framesize. : 477 x 628mm. media. : digitalprintwork. ED. : ~55. *editor`s edition not included frame material. : wood clublogo on the work is removable as you want signature will be put. clubmark embossing will be stamped in the lower right corner of the work.The color of the actual product may differ slightly from the image shown.